Mark D. White

Writer, editor, teacher

  • Mark D. White

    Last week, David Brooks' column "It's Not About You" in The New York Times spoke to the challenges that new college graduates face as they enter "the real world," focusing on the change in the imposed structure that has shielded them from life to this point:

    More important, their lives have been perversely structured. This year’s graduates are members of the most supervised generation in American history. Through their childhoods and teenage years, they have been monitored, tutored, coached and honed to an unprecedented degree.

    Yet upon graduation they will enter a world that is unprecedentedly wide open and unstructured. Most of them will not quickly get married, buy a home and have kids, as previous generations did. Instead, they will confront amazingly diverse job markets, social landscapes and lifestyle niches. Most will spend a decade wandering from job to job and clique to clique, searching for a role.

    This is true, no doubt. But then he swings towards his anti-individualistic thesis from The Social Animal:

    [T]hey are sent off into this world with the whole baby-boomer theology ringing in their ears. If you sample some of the commencement addresses being broadcast on C-Span these days, you see that many graduates are told to: Follow your passion, chart your own course, march to the beat of your own drummer, follow your dreams and find yourself. This is the litany of expressive individualism, which is still the dominant note in American culture.

    But, of course, this mantra misleads on nearly every front.

    College grads are often sent out into the world amid rapturous talk of limitless possibilities. But this talk is of no help to the central business of adulthood, finding serious things to tie yourself down to. The successful young adult is beginning to make sacred commitments — to a spouse, a community and calling — yet mostly hears about freedom and autonomy.

    But this is a false dichotomy–as I explain in Kantian Ethics and Economics: Autonomy, Dignity, and Character, drawing on Christine Korsgaard's Self-Constitution: Agency, Identity, and Integrity, a person defines herself in part by the ties and bonds she chooses to make. These activities are as much an expression of her individualism as anything she might do "by herself." As Korsgaard writes:

    The task of self-constitution involves finding some roles and fulfilling them with integrity and dedication. It also involves integrating those roles into a single identity, into a coherent life. People are more or less successful at constituting their identities as unified agents, and a good action is one that does this well. It is one that both achieves and springs from the integrity of the person who performs it. (Self-Constitution, p.35, quoted in Kantian Ethics and Economics, p. 99)

    A person's identity can be composed of many identities, such as her caeer, family status, community involvements, political affiliations, and so on, each of which implies its own obligations and duties. But, as I write in Kantian Ethics and Economics:

    But before these identities can become a part of an agent’s practical identity, her sense of self (or character) from which she acts, she must take an active role in endorsing these roles by choosing what groups to join, what people to associate with, and what social responsibilities to assume. Even the aspects of your social identity you are born into—being a child of your parents, a member of your community, a citizen of your nation—must be endorsed by you before they become part of you and reasons on which you can act autonomously. (p. 102)

    Near the end of his article, Brooks wrote:

    Finally, graduates are told to be independent-minded and to express their inner spirit. But, of course, doing your job well often means suppressing yourself. As Atul Gawande mentioned during his countercultural address last week at Harvard Medical School, being a good doctor often means being part of a team, following the rules of an institution, going down a regimented checklist.

    Of course–through following the rules and fulfulling the role of doctor, Dr. Gawande is expressing his autonomy and his character. One of the key lessons of Kantian ethics is that autonomy is often found in following duty and doing the right thing. Self-control can be seen as the highest expression of autonomy, because it shows that you are not the slave of even your own desires.

    Finally, he wrote:

    Today’s grads enter a cultural climate that preaches the self as the center of a life. But, of course, as they age, they’ll discover that the tasks of a life are at the center. Fulfillment is a byproduct of how people engage their tasks, and can’t be pursued directly. Most of us are egotistical and most are self-concerned most of the time, but it’s nonetheless true that life comes to a point only in those moments when the self dissolves into some task. The purpose in life is not to find yourself. It’s to lose yourself.

    I agree with the general sentiment, of course, but not with his conclusion. Paradoxicaly (in a Zen sort of way), by losing yourself in a task (or obligation, or role), you not only "find yourself," you define yourself.

  • Swamp thing This time at Entertainment Weekly, we hear of new #1s post-Flashpoint from the "darker" side of the new DCU:

    Swamp Thing #1 by Scott Snyder

    Animal Man #1 by Jeff Lemire (OK, not so dark–or is it?)

    Justice League Dark #1 by Peter Milligan, featuring John Constantine, Deadman, Shade the Changing Man, and Madame Xanadu

    Demon Knights #1, medieval superheroism by Paul Cornell

    Frankenstein, Agent of SHADE #1, by Jeff Lemire

    (No artists were announced.)

  • Batman_dk_1 Following the events of Bat-Monday (Dark Monday?)–I've never blogged or tweeted so much in my life–I want to collect my thoughts on the status of the Bat-corner of the new DCU…

    1. Of course, I am thrilled that Dick Grayson is returning to Nightwing and that Bruce Wayne will now be the Batman. The Dick-as-Batman experiment did go better than I'd expected, I have to admit, and writers like Scott Snyder and Judd Winick successfully incorporated Dick's past into his role as Batman, and showed him gradually growing into the role. But at the same time Dick realized that he was never Batman, not in the same way Bruce is and will always be. And I don't think Dick ever really wanted to be Batman–he was doing it to continue Bruce's legacy, and after Bruce returned, he was a pale imitation (as was shown in the many scenes in which they teamed up, Dick-Bats still seeming like a Robin next to Bruce).

    At least this breaks the astonishing parallel paths that the Batmen/Batmans/Batsman and the Captains America have followed since the "deaths" of the senior partners (and perhaps even further back to the resurrections of Jason Todd and Bucky Barnes). Bucky seems to be gone, but Dick gets a new #1. But what's the DCU without a dead Robin, which leads us to…

    2. Tim Drake–where is he? My tweets to Mike Marts and other Bat-editors at DC yesterday went unanswered, and I expressed my concerns over his future yesterday. I admit, with Dick as Nightwing and Damian as Robin, where does Tim fit in? (Unless they're serious about turning back the clock, which doesn't seem to be the case, Tim is past being Robin anyway, and Damian has become a fascinating character in his own right and as Robin.) Maybe Tim could help run Batman Incorporated as a "civilian," or return to his roots and become an uncostumed detective–or, use his computer skills to become the new Oracle.

    3. I don't know how I feel about Barbara Gordon as Batgirl–I can completely sympathize with those who saw the wheelchair-bound Babs as an inspiration (for instance, see here). But is it best for the character, and does that deserve consideration alongside the desires of the readers? And which readers are being served by this? Some interesting questions that I may pick up later…

    Of course, the fates of Stephanie Brown and Cassandra Cain are up in the air. Cassie, at least, may be involved in Batman Incorporated when it relaunches in 2012, but until then, I doubt we'll see either of them very much post-Flashpoint. (Unless they're going to join Tim in some Bat-themed verson of the Titans or Young Justice!)

    4. Glad to see Catwoman returning to her own title–more Selina is always welcome, though I did enjoy her interactive role in Gotham City Sirens while it lasted. Batwoman is not really a relaunch (ditto for Finch's Batman title). The new Birds of Prey, though, I don't know about. The Birds without Oracle seems even more wrong than it did without Black Canary, but we'll see. And the Red Hood's book–a pleasant surprise, but I don't know how much there is to get worked up about.

    5. Batwing looks very promising, but Batman Incorporated? It can stay hidden til 2012, 2013 if they need, no hurry. Take your time, Grant, no hurry at all.

  • On Twitter tonight, Scott Snyder–current writer of Detective Comics, co-writer of Gates of Gotham, and upcoming writing of the relaunced Batman–offered this reassurance:

    And I know how nervous some of you are about things starting over, but I think all of us in the Bat U can assure you that we're…

    …as big fans of Batman's history – all the great stories, the rich characters, the moments – as you. None of us is out to change…

    anything or erase anything for the sake of being shocking or new. We all have too much respect for Batman to so [or "do"] that…

    So while we can't comment on specific elements of continuity, I think it's safe to say that when it comes to the elements in the Bat U

    you love… we love them too. And so please don't worry about the shape of the Bat U after September. Going to be a great place 🙂

    I've loved Snyder's work so far, and the revisions announced today–with the notable exception of Babs, of course–seem very subtle, so this does make me feel better… a little.

    Now tell me where Tim is!

  • Timdrake After the flood of Bat-related news today, one name went unmentioned: Tim Drake (or Tim Wayne), the current Red Robin and former Robin. He could pop up in the future announcement of Teen Titans #1 (assuming there is one), but as whom?

    Or maybe, he won't be around post-Flashpoint–maybe, he won't even make it that far. Grant Morrison's statement regarding the end of the current run of Batman Incorporated is rather ominous (emphasis mine):

    Batman, Incorporated will continue through to Issue #10 and August’s shocking season finale that changes the Batman status quo yet again. The series will take a brief hiatus while I work on a major new project to be announced shortly. Batman, Incorporated returns next year with me, Chris Burnham and Batman: Leviathan, the epic 12 part conclusion to my 6 year Batman saga. Don’t miss it!

    Are we seeing the last of Tim Drake this summer? I sincerely hope not, but I'm getting a feeling…

    UPDATE: See here on the fate of Tim–not a pretty picture, I'm afraid.

  • Well, I guess this rules out any meaningful reboot–which is a good thing, don't get me wrong, except we still have Batman Incorporated. Sigh…

    Still no news about Tim…

  • Batwing Again from IGN, who must be putting the DC staff's kids through college, is news of Batwing #1, featuring Bruce Wayne's recruit from Africa, and from the creative team of Judd Winick and Ben Oliver. From the piece:

    "Batwing #1 is a series that spins right out of Grant Morrison's Batman Incorporated storyline. This is the first time that we have an in-continuity black character wearing the Batman costume," said Batman group editor Mike Marts. "Grant has provided us with so many new characters and concepts. He's really just been a fountain of ideas and energy for the Batman group of titles. We have so many different cool things to choose from what Grant creates, and we go with what we think is going to provide readers with the most story and the most excitement. And with this, Batwing won out."

    So I guess Batman Incorporated is not dissolved post-Flashpoint–maybe it's a not a reboot after all, huh? Still odd…

  • Red hood Nightwing Wow – IGN reports that not only is Dick Grayson returning in Nightwing #1, written by Kyle Higgins and drawn by Eddy Barrows, but Jason Todd is also back as the Red Hood, leading a group including Arsenal (apparently with the two arms he was born with) and Starfire (yeah, Dick's old flame) in Red Hood and the Outlaws #1, written by Scott Lobdell and drawn by Kenneth Rocafort.

    The copy also says that post-Flashpoint, Dick's time as Batman won't be erased… which seems to conflict with the characters being returned to when they were younger… odd.

    So… where's Tim?

  • Batgirl-babs From The Source, Gail Simone's own words:

    Barbara Gordon is pretty much my everything. Because of the Batman TV show, she was the reason I fell in love with superheroes. Because she was a redhead who could kick ass, she is the reason I fell in love with comics. She was always forward-looking as Batgirl, a girl who was smarter than the male characters, who had class and elegance and style, as well as tough-as-nails grit. For a long time, there was simply nothing else like her in comics, and for me and a lot of other readers, her every appearance was joyful and explosive.

    For many years, I got to write the character as Oracle, and there is to this day, no character who means more to me. This is classic Barbara as she was originally conceived, with a few big surprises. It’s a bit of a shock, to be sure, but we’re doing everything we can to be respectful to this character’s amazing legacy, while presenting something thrilling that a generation of comics readers will be experiencing for the first time…

    …Barbara Gordon leaping, fighting, and swinging over Gotham. Now, when citizens of that city look up, they are going to see BATGIRL.

    And that is absolutely thrilling.

  • Well, well… The Source brings us news of four more Gotham-related titles, all featuring female characters, though many are a mystery:

    • Bop Batwoman #1, by the familiar team of J.H. Williams III, Haden Blackman, and Amy Reeder
    • Batgirl #1, featuring the ominously red-headed character already famous from sneak peeks, written by Gail Simone with art by Adrian Syaf and Vicente Cifuentes
    • Catwoman #1, by Judd Winick and Guillem March
    • Birds of Prey #1 (at right), featuring Black Canary, one character that looks like Katana, and possibly Poison Ivy (?), written by Duane Swierczynski with art from Jesus Saiz

    With Simone writing Batgirl, it seems unavoidable that it's Barbara Gordon under the cowl–I suppose if someone gets a chance to change the timeline, one of the first things they'd do is prevent her from getting shot (after all, Booster Gold tried his best). Winick should be good on Catwoman, and March's art is topnotch. Birds of Prey is intriguing, if only because of the unknown characters, but the art by Saiz (who just started on the title) is a surefire winner.

    Now what about Dick and Tim, people?